Beat Box Entertainment

Lynx Aurora 16
16-channel 24-bit/192kHz A/D D/A Converter
Some of the best A/D conversion available!With Aurora, Lynx continues to be a leader in the world of digital audio. The Aurora A/D converters from Lynx Studio Technology provides unprecedented quality and control in 1U eight and sixteen channel models. The Aurora 8 and Aurora 16 feature 192 kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. The rear panel has Clock and MIDI I/O connectors and an LSlot bay, for the optional use of ADAT and other audio interfaces. For excellent conversion quality, the Aurora 16 is your choice!

Lynx Aurora 16 at a Glance:

• I/O
  
• Front Panel Controls
  
• On-board 32-channel Mixer
  
• LSlot for Expansion
  
• SynchroLock Jitter Reduction
  
• DB25 Connectors

I/O
Aurora provides professional I/O interfaces for ease of installation in most studios and live sound applications. The analog I/O is electronically balanced and supports both +4dBU and -10dBV nominal levels. The AES digital I/O is transformer coupled and is capable of driving 500 feet of cable at 192kHz. Both dual and single-wire AES channel modes are supported.

Front Panel Controls
Aurora's ergonomically designed front panel provides easy access to important controls and signal status. Unique to this product class, Aurora also offers extensive remote control capability. All front panel features as well as other low-level options can be controlled from the Lynx AES16 digital interface card on Windows and Macintosh platforms; a Pocket PC or laptop via infrared; MIDI; or an LSlot interface card. Multiple remote set-up configurations can be stored and recalled.

On-board 32-channel Mixer
The on-board 32-channel digital mixer provides extensive routing and mixing options. Acting as a powerful patch bay style digital router, Aurora can easily route signals between analog and digital inputs on a channel-by-channel basis. Mixing capability on each output also provides flexible zero latency monitoring.

LSlot for Expansion
The LSlot expansion port accepts cards that provide compatibility with current and emerging digital interface standards, including ADAT and others.

SynchroLock Jitter Reduction
Lynx's proprietary SynchroLock jitter reduction technology, from the AES16, is also included. This LYNX-exclusive feature provides extreme jitter reduction of up to 3000:1, allowing Aurora to output an extremely clean clock output for driving the digital audio system.

DB25 Connectors
All analog and digital connections use DB25 connectors with industry standard pin-outs which are compatible with off-the-shelf cables Lynx as well as from manufacturers such as ProCo, Hosa, and others.

Lynx Aurora 16 Features:

• Aurora 16: Simultaneous 16-channel Analog I/O and 16-channel AES/EBU I/O
  
• 24-bit/192kHz Mastering Quality A/D and D/A conversion
  
• 192kHz AES/EBU I/O Supporting Single and Dual Wire Modes
  
• Single Rack Space Configuration
  
• Extensive Remote Control Capability via Lynx AES16, IrDA and MIDI
  
• LSlot Expansion Slot for FireWire, ADAT, Pro Tools|HD and Future Interface Options
  
• On-board Digital Mixer Provides Flexible I/O Routing
  
• Word clock I/O with Lynx SynchroLock Jitter Reduction Technology

Powerful Portable PA from Yamaha! Need a portable PA that doesn't skimp on the sound quality? The new Yamaha STAGEPAS 300 has all the power and high-quality sound you need to fill a small performance space, yet it's small and light enough to bring wherever you need it. Combining a built-in powered mixer and PA speakers, it's also incredibly easy to use - letting you set up and be playing in a matter of minutes!

Yamaha STAGEPAS 300 Portable PA at a Glance:

• Self-contained convenience, real portability, quality sound
  
• Plenty of inputs with 8-channel mixer - plus reverb!
  
• Big sound from two-way bass reflex speakers
  
• Twin 150-watt amps deliver power for small to medium-size rooms
  
• Versatile setup and stand mounting options
  
• Built-in storage for an all-in-one PA solution!

Yamaha STAGEPAS 300 Portable PA Features:

• Portable PA system with mixer, power amp and two speaker cabinets
  
• Two-way bass reflex speakers work as mains or monitors
  
• Eight-channel powered mixer with four mic + two stereo line inputs
  
• Class D power amplifier (150W + 150W) is cool and efficient
  
• One-bit modulation digital reverb built in
  
• Crisp highs, punchy mids and big, fat bass
  
• Rugged, durable construction, perfect for the road
  
• All-in-one convenience

48-channel Digital Mixer and FireWire Pro Tools LE Recording System with 48 Analog Microphone/Line Inputs, 16 Analog Line Outputs, Output Expansion Slot, Onboard Processing, TDM Plug-in Support, and Redundant Power Supply - Mac/PC

Digidesign VENUE SC48 48-channel Live Digital Mixer and Pro Tools Recording System at a Glance:

• Give you the power of VENUE in a portable, all-in-one system
  
• Amazing sound quality with full plug-in support
  
• Seamless Pro Tools integration
  
• Powerful workflow innovations
  
• The identical VENUE software platform

Digidesign VENUE SC48 48-channel Live Digital Mixer and Pro Tools Recording System Features:

• Redundant Power Supply
  
• Fully integrated console offers built-in I/O for stage and ancillary sources, DSP, and tactile control for ultimate portability
  
• Compact footprint fits small- to mid-size clubs, houses of worship, theaters, corporate events, and more
  
• First-rate VENUE sound quality provides amazing audio clarity in any room
  
• Supports professional audio plug-ins for creating studio-quality mixes live
  
• Pro Tools LE FireWire interface and software included for audio recording and playback system connection
  
• VENUE D-Show software, the industry's easiest, most comprehensive control software
  
• 48 analog mic/line XLR inputs, 16 analog line outputs (expandable to 32)
  
• Single expansion slot for maximizing output count or adding A-Net connectivity
  
• 16 Aux Sends, 8 Groups, plus 8 mono matrixes (linkable as up to 4 stereo matrixes)
  
• Choice of Left-Right plus Mono or Left-Center-Right Mains bus configuration
  
• 26 touch-sensitive, motorized faders: 16 input, 8 output master, 1 Flex Channel, and 1 Mains
  
• 16 assignable, push-switch rotary encoders with multi-segment LED rings enable immediate access to key parameters
  
• Additional I/O, including talkback, analog and digital 2-track, GPI, MIDI, and Word Clock

Rupert Neve Designs Portico II
2U Channel Strip with Mic Pre, Compressor, EQ, and Texture
Rupert Neve Designs Portico II Channel Strip Features:

• Texture control for fine tuning harmonic ratio and tone
  
• Post Comp moves the EQ after the compressor
  
• Multi-variable De-Esser can be used to soften harsh sibilance in voices and instruments
  
• Blend gives you a continuously variable control to mix compressed and uncompressed signals
  
• FF/FB changes the VCA detection from a forward feed design to a feed back design
  
• Super Fast overrides the attack setting, using a combination of peak and RMS detection set below 1ms
  
• Side Chain Send/Return
  
• External compressor side chain send and return on 2 x TRS jacks
  
• Dual 16-point peak meters display compressor gain reduction and output levels
  
• Highpass filter is continuously variable from 20-250Hz
  
• HPF to Side Chain Uses the HPF in the compressor side chain
  
• Gain provides 66dB in 6dB steps
  
• Trim: Continuous +/- 6dB level control
  
• All EQ In: Enables all EQ bands
  
• Comp In: Engages compressor section
  
• Phase Inverts
  
• Phantom power: Selectable 48V
  
• DI: Discrete FET input for hi-Z instruments
  
• Line input: Selectable +4 balanced input
  
• LF EQ: +/-15dB adjustment at 35, 60, 100, and 220 Hz, independent LF engage, selectable classic bell or accelerated shelf curves
  
• LMF EQ: +/-15dB adjustment from 70 to 1.4KHz, with a continuous "Q" from .7 to 5., engaged with the MF switch.
  
• HMF EQ: +/-15dB adjustment from 700Hz to 14KHz, with a continuous "Q" from .7 to 5., engaged with the MF switch.
  
• HF EQ: +/-15dB adjustment at 4.7, 6.8, 12, and 25kHz, independent HF engage, selectable classic bell or accelerated shelf curves
  
• Rackmountable, 2U

Specification	Detail
Preamp Type	Solid State
Number of Channels	1
Frequency Response	2Hz-160kHz (-3dB)
Phantom Power	Yes
EQ	Yes
Compressor	Yes
Other Processing	Textre
Analog Inputs	1 x XLR (Mic), 1 x XLR (Line), 1 x 1/4" (Hi-Z)
Analog Outputs	1 x XLR
Digital Inputs	No Digital Inputs
Digital Outputs	No Digital Outputs
Other I/O	1 x 1/4" (Thru), 2 x 1/4" (Sidechain Send, Return), 2 x 1/4" (Link)
Computer Connectivity	No Computer Connectivity
Rackmount Spaces	2U
Height	3.5"
Depth	10"
Width	19"
Weight	20 lbs.
Manufacturer Part Number	Portico2

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TASCAM DR-2d Portable SD Recorder Features:

• Built-in stereo condenser microphones
  
• Dual recording function records a copy of your audio at a lower level, so you always have a backup in case of overload
  
• Up to 96kHz/24-bit WAV recording or MP3 recording modes
  
• Records to SD or SDHC cards
  
• Internal effects including reverb
  
• Auto-recording function
  
• Limiter, low cut filter and auto gain control for input
  
• Metronome
  
• Variable Speed Audition
  
• Loop playback mode
  
• USB 2.0 connection for file transfer
  
• 1/8" stereo microphone input
  
• 1/8" stereo line input
  
• 1/8" stereo headphone output
  
• 128x64 backlit LCD display
  
• Powered by two AA batteries or optional PS-P520
  
• Built-in speaker
  
• Includes wireless remote control, 2GB SD card, AA batteries and carrying pouch

Rupert Neve Designs Portico 5043
2-channel Compressor/Limiter with Independent and Linked Operation Modes
Vintage tone from Mr. Rupert Neve!The Portico 5043 Compressor/Limiter Duo is the perfect companion to the 5012 mic pre or 5033 EQ, giving you a triple play of vintage Neve sound for your rack. Built to handle either tracking or mixing, the Portico 5043 boasts two channels of compression/limiting which can be used independently or linked in sequence for two decidedly different compression sounds. Neve input and output transformers are onboard to give your tracks that distinctly British sound. Inject some classic flavor into your tracks by adding a Portico 5043 to your rack! 
Rupert Neve Designs 5043 Compressor/Limiter Duo Features:

• Gain Range: Continuously variable from -6 dB to +20 dB.
  
• Threshold Range: Continuously variable from -36 dB to +22 dB.
  
• Ratio Range: Continuously variable from 1.1:1 to "Limit" (40:1).
  
• Attack Range: Continuously variable from 20mS to 75mS
  
• Release Range: Continuously variable from 100mS to 2.5 Seconds.
  
• FF/FB: Feed-Forward or Feed-Back VCA control.
  
• S/C or LINK: Multiple 5043's may be daisy-chained via the rear panel jacks. 
  
• External 15V Supply included with every Portico Series module.

Lynx Aurora 8-FW
8-channel 24-bit/192kHz A/D D/A Converter with Installed FireWire Interface
Premium AD/DA Conversion Plus FireWire!The Lynx Aurora 8-FW AD/DA converter with FireWire interface makes a great product even better and more functional! The Aurora 8/FW provides up to 192kHz resolution, eight input and output channels, AES/EBU and word clock I/O, and an onboard 32-channel digital mixer for easy signal routing. The installed LT-FW FireWire L-slot interface allows up to 32 channels of digital and analog input and output at up to 96kHz sample rates (16 channels at 192kHz). Now you can get pristine audio for everything from desktop studio projects to surround applications right out of the box with the Aurora 8-FW!

Lynx Aurora 8-FW at a Glance:

• I/O
  
• Front Panel Controls
  
• Onboard 32-channel Mixer
  
• FireWire Interface installed
  
• SynchroLock Jitter Reduction
  
• DB25 Connectors

I/O
Aurora provides professional I/O interfaces for ease of installation in most studios and live sound applications. The analog I/O is electronically balanced and supports both +4dBU and -10dBV nominal levels. The AES digital I/O is transformer coupled and is capable of driving 500 feet of cable at 192kHz. Both dual and single-wire AES channel modes are supported.

Front Panel Controls
Aurora's ergonomically designed front panel provides easy access to important controls and signal status. Unique to this product class, Aurora also offers extensive remote control capability. All front panel features as well as other low-level options can be controlled from the Lynx AES16 digital interface card on Windows and Macintosh platforms; a Pocket PC or laptop via infrared; MIDI; or an LSlot interface card. Multiple remote set-up configurations can be stored and recalled.

Onboard 32-channel Mixer
The on-board 32-channel digital mixer provides extensive routing and mixing options. Acting as a powerful patch bay style digital router, Aurora can easily route signals between analog and digital inputs on a channel-by-channel basis. Mixing capability on each output also provides flexible zero latency monitoring.

FireWire Interface installed
The preinstalled Lynx LT-FW FireWire L-slot interface gives your Aurora 8 AD/DA converter FireWire connectivity and control! Equipped with the LT-FW, the Aurora easily interfaces with FireWire computer connections, even from notebook-style Mac and PC units. The interface allows up to 32 channels of digital and analog input and output at up to 96kHz sample rates (16 channels at 192kHz). 

SynchroLock Jitter Reduction
Lynx's proprietary SynchroLock jitter reduction technology from the AES16 is also included. This Lynx-exclusive feature provides extreme jitter reduction of up to 3000:1, allowing Aurora to output an extremely clean clock output for driving the digital audio system.

DB25 Connectors
All analog and digital connections use DB25 connectors with industry standard pin-outs which are compatible with off-the-shelf cables Lynx as well as from manufacturers such as ProCo, Hosa, and others.

Lynx Aurora 8/FW Features:

• Simultaneous 8-channel Analog I/O and 8-channel AES/EBU I/O
  
• 24-bit/192kHz Mastering Quality A/D and D/A conversion
  
• 192kHz AES/EBU I/O Supporting Single and Dual Wire Modes
  
• Single Rackspace Configuration
  
• Extensive Remote Control Capability via Lynx AES16, IrDA and MIDI
  
• Installed LT-FW FireWire interface
  
• Onboard Digital Mixer Provides Flexible I/O Routing
  
• Word clock I/O with Lynx SynchroLock Jitter Reduction Technology

DAW Software with 96 Tracks, Open Interface Support, Over 70 Plug-ins/Effects/Virtual Instruments, Music Notation, and Automatic Delay Compensation - (Mac/PC)

TASCAM DM-3200

48-input 16-bus Digital Mixer with 24-bit/96kHz Support, TC Effects_________________________________________________

48-input Digital Mixer!More channels. More inputs. The new TASCAM DM-3200 has more of everything that made the DM-24 a pedigreed studio workhorse, plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. With the DM-3200, TASCAM brings the functionality of a big console to the world of DAWs. You can't go wrong with the DM-3200.

TASCAM DM-3200 At-a-Glance:

• Music Tracking
  
• Post Production and Game Production
  
• Live Sound and House of Worship
  
• Project Studio Recording

Tascam DM-3200 Features:

• 32 channels and 16 auxiliary returns for 48 total inputs
  
• 16 busses
  
• 8 Aux Sends
  
• 16 analog mic/line inputs with phantom power for condenser mics and analog inserts
  
• 24 channels of TDIF and 8 channels of ADAT built in
  
• 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards
  
• Dedicated cascade port supports cascade of two DM-3200s
  
• Per channel LED ring encoders for pan, aux sends and EQ
  
• Built-in DAW control
  
• All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate
  
• Transport controls
  
• Powerful automation with touch-sensitive motorized faders
  
• EQ and compression on each channel
  
• Two built-in effects processors at 44.1/48k or 88.2/96k
  
• Flexible routing
  
• Offload data to convenient Compact Flash media using built-in CF slot
  
• Optional MU-1000 meter bridge
  
• Stylish, professional design with rear panel I/O connections
  
• TASCAM Mixer Companion software

24-Bit/96kHz 01V! Digital audio technology has come a long way since the early days of 16 bits at 44.1 kHz - a format that many considered to be the reason for "harsh", "cold" sound. The entire industry is now settling on 24-bit/96-kHz digital operation for significantly superior sonic quality. The Yamaha 01V96V2 does give you a choice - you can work at 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz, depending on the needs of each individual project. But when you want the truly transparent, incredibly dynamic sound of 24-bits at 96 kHz, the 01V96V2 is ready to deliver. It even includes a comprehensive range of superb 96-kHz compatible stereo effects with 32-bit internal processing. Yamaha 01V96V2 At a Glance Version 2 Software Allows Add-on Plug-ins 24 Analog & Digital Channel Inputs and Expandable to 40 Built-in ADAT Optical Interface Integrated DAW Control Surround Panning Rear Panel Connectivity Yamaha 01V96V2 Digital Mixing Console Features: 24-channel digital mixer with 12 high-performance mic preamps Expandable with ADAT, AES/EBU, TDIF, or analog Mini-YGDAI cards Built-in ADAT I/O Integrated DAW control for Pro Tools, Nuendo, and other software Surround panning capability Balanced stereo main and monitor outputs plus 2-channel coax digital I/O Word clock I/O MIDI I/O.

Payment Terms:

T/T (Bank Transfer)

Master Clock with Atomic Clock Input, 32-192kHz, Superclock Output, and Jitter Management Module.

 

Antelope Audio Isochrone OCX at a Glance:

• Oven Controlled Discrete Transistor Crystal Oscillator for lowest jitter.
• Jitter Management Module improves sonic performance.
• Atomic clock input resolves to Rubidium clock for perfect stability.
• Simple and direct user-friendly interface

Oven Control
The core of any master clock is the Crystal Oscillator, and clock performance is impacted greatly by the type of Oscillator used. While other master clocks cut corners with their Oscillators, Antelope chose the best. The Oven Controlled Discrete Transistor Crystal Oscillator is without question the most stable, jitter free in existence. Before the Isochrone OCX, these oscillators were found only in aerospace and telecommunication hardware designed for critical operations.

The OCX is the only master clock to address jitter at the source. Its Oven Controlled Discrete Transistor Oscillator provides 4X-6X less jitter and 100X greater stability than its closest competitor.

Oscillator accuracy is compromised when exposed to temperature fluctuations. The Isochrone OCX addresses this completely with oven control. The oven's temperature controlled environment allows unparalleled oscillator stability.

Other master clocks use standard crystal oscillators which don't account for temperature at all, and quality suffers as a result. The indispensable benefits of oven control are found only with Isochrone Clocks.

Antelope's Jitter Management Module
Jitter free operation is critical in the modern studio. Antelope's Jitter Management Module makes jitter essentially nonexistent. Adaptive Loop Filtering is taken to the next level with a sophisticated DSP Based Multistage IIR filter, ensuring a jitter free, great sounding studio. 

Connecting a device to the OCX will make it sound noticeably better. This is achieved with Antelope's exclusive Acoustically Focused Clocking technology (AFC). AFC is the 3rd generation of DDS, a technology introduced over ten years ago by Isochrone engineer Igor Levin with his ground breaking Aardsync master clock. The AardSync was immediately recognized as the industry's best sounding clock. It's successor, the AardSyncII, provided even greater sonic benefits with its 2nd generation DDS technology. This legacy of amazing sound continues to evolve with AFC. AFC was designed to provide far more than impressive specs, Advanced engineering combined with exhaustive listening tests culminated in AFC's extraordinary sound.

Atomic Clock
The Isochrone OCX can be locked to the most accurate clock on Earth: the Atomic clock. A studio can truly achieve perfect stability with the power of Atomic Clock, and the OCX is the the only Master Clock capable of locking to this unprecedented technology.

Peace of Mind
Clocking is a critical task, and should never be complex. With straightforward controls dedicated to specific tasks, warning lights for critical errors, and a highly visible, accurate frequency display, the OCX's operating status is apparent with a momentary glance.


Antelope Audio Isochrone OCX Features:

• Oven Controlled Discrete Transistor Crystal Oscillator for lowest jitter.
• Atomic clock input resolves to Rubidium clock for perfect stability.
• Jitter Management Module improves sonic performance.
• Sample Rates 32-192 kHz.
• Frequency calibrated to better than 1PPM.
• W/Cx256 "Superclock" output for Digidesign Pro-Tools systems.
• Outputs multiple, divisible sample rates.
• Eight word clock outputs.
• Two AES/EBU outputs.
• Two S/PDIF output.

 

Master Clock with 9 Independent HD/SD Video and Audio Generators up to 384kHz with Varispeed, Oven Controlled Crystal Oscillator, Atomic Clock Compatibility, Menu-free User Interface, 64-bit DSP, and Dual Redundant Power Supply

 

Antelope Audio Isochrone Trinity Master Clock at a Glance: 

• The next generation
• Triple Display and other great Antelope features
• Atomic Clock compatibility

The next generation
Trinity offers a host of new features, including three independent audio generators up to 384kHz, with Varispeed Control, three independent SD generators, simultaneously offering PAL and NTSC, and three independent HD Generators, with a choice of 16 formats. Antelope`s fourth-generation of Acoustically Focused Clocking (AFC) now employs 64-bit DSP. 

Triple Display and other great Antelope features
The elegant Triple Display shows the frequencies for the independent audio generators. Of course, Trinity maintains all of the features from Antelope's current OCX-V audio/video master clock, such as Antelope's Jitter Management Module, Black burst generator, and full Audio and Video Gearboxing with simultaneous 0.1 and 4% pull-ups/pull-downs. All of this functionality is accessible via Trinity's intuitive menu-free user interface.

Atomic Clock compatibility
As with Antelope's OCX and OCX-V clocks, Trinity can accept input from the mighty Isochrone 10M Rubidium Atomic Clock. Using the Atomic Clock together with any of Antelope`s master clocks will in effect bypass the already supremely stable Oven Controlled Crystal in these devices and resolve to Atomic for their reference - sample accurate for 8 days! Trinity, OCX, and OCX-V are calibrated to Atomic at the factory and are capable of being recalibrated to Atomic in the field.

Antelope Audio Trinity Master Clock Features: 

• Three independent audio generators up to 384 kHz, with Varispeed Control
• Three Independent SD generators, simultaneously offering PAL and NTSC
• Three Independent HD generators, giving you a choice of 16 formats
• Intuitive menu-free user interface with triple display
• Fourth-generation of acoustically focused clocking, now employing 64-bit DSP
• Dual redundant power supply for added reliability
• Oven Controlled Crystal oscillator or atomic input for supremely low jitter
• Factory-calibrated to better than +/-0.02PPM accuracy via atomic clock
• Field recalibration to atomic for better than +/-0.02PPM accuracy
• Always on "Superclock" for support of Digidesign Pro Tools systems
• Power: 12VDC Input 95-245 VAC Input
• Inputs: 1 AES/EBU 2 Wordclock 1 S/PDIF 1 Video 1 Atomic
• Audio A outs: 2 AES/EBU 2 S/PDIF 8 Wordclock
• Audio B outs: 1 AES/EBU 1 S/PDIF 4 Wordclock
• Audio C outs: 1 AES/EBU 1 S/PDIF 4 Wordclock
• HD Video: 3 generators. 2 outputs on each generator.
• SD Video: Simultaneous PAL & NTSC generators 1 NTSC 1 PAL 1 NTSC/PAL switchable on front panel 1 NTSC60/PAL48 switchable on front panel.