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Cine Grips - Service Provider of easy rig rental service, jimmy jib crane rental service & super techno crane rental service in Mumbai, Maharashtra.
The Easyrig portable camera support is a cost effective system which can be used with both film and video cameras. Ergonomically designed, the Easyrig reduces the static load on the neck and shoulder muscles, and distributes it to other parts of the body which are more capable of handling it.
The Easyrig gives you the speed and mobility of a handheld camera, while still achieving steady shots from the shoulder, the hip or knee level. The powerful suspension lines will easily accept lightweight digital cameras and the heavier professional cameras such as the Red One cameras, 35mm film cameras and Betacams up to 33 lb (15 kg).
The Easyrig is ideal for news broadcasts, sport events, documentaries, commercials or any other handheld situations where stability is crucial and freedom to move is essential.
Jimmy Jib Camera Cranes specialise in providing the latest Jimmy Jib equipment and experienced jib operators. Jimmy Jib Camera Cranes have three comprehensive Jimmy Jib Triangle Camera Crane Systems available for video and film production.
Everything required to set up and operate the Jimmy Jib Camera Crane is included in the package. The system can run from 12v DC or 240v AC power and the jib arm can be mounted on a wheeled base for easy relocation of the jib while rigged, making it extremely portable and flexible when a variety of shots are required from different positions.
The Super Techno Telescoping Crane is the most exciting development in remote crane technology in many years. Noiseless. Smooth starts and stops. Telescoping out to 9.5m at a speed of 1.6m per second. The Supertechno Crane with the gyrostabilized Flight Head provides stable and wonderful shot possibilities for the creative cinematographer.Maneuver in the tightest spaces. Go precisely to the most inaccessible corner. Fly the camera through a high rise apartment, out the window, down the side of the building by simply telescoping the Supertecho crane arm while remote controlling the multi-axis camera head (Flight Head). The Supertechno Crane provides solutions for commercials, music videos, feature films, television production, sports coverage and concerts, saving both Time and Money, while enabling creative and versatile coverage
The Classic's design concept is as simple as it is robust. This means longevity and practically maintenance-free operation. The electro-mechanical drive has proved itself over decades. It is not only quiet, but has also in practice shown itself to be extremely reliable and durable. As a result, the maintenance and repair costs and are very low.The Classic in its basic model already has much to offer. With its CPU-controlled center column and its pivoting wheel arms, it can be easily adapted to many diverse shot angles. Together with the Classic accessory program, you can realize almost any shot with only one dolly system
The GF-Primo Base has a central "one touch" selector allowing for immediate, one handed, switch over to crab, front or rear wheel steering. Its telescopic and inclining steering rod perfects the GF-Primo'smanoeuvrability and puts it in a league of its own.
The "one touch" selector allows for an immediate, one handed, switchover to crab, front or rear wheel steering. The maintenance free gear box also functions as a fifth, central steering position in addition to the steering positions found on each of the 4 wheel arms.This system, among central post dollies unique to the GF-Primo, improves its mobility and maneuverability. By steering from the central position it is easier to make a straight dolly shot because the usual dolly drift, common to central post dollies, is eliminated. By pushing on centre, the dolly is easier to direct. Surface unevenness can be counteracted in either the front or rear wheel steering modes.
A camera dolly is a specialized piece of film equipment designed to create smooth camera movements. The camera is mounted to the dolly and the camera operator and camera assistant usually ride on it to operate the camera. The dolly is operated by a dolly grip who is a dedicated technician trained in its use.
Dolly shots (or 'tracking shots') can be used to to move in on an object to emphasize importance, or dolly alongside a moving object to keep it in frame. This is usually done on a wheeled platform riding on a track - but sometimes we don't have the money or space for a proper track; and even still - some shots can cover a large area of ground in one take in which case a track wouldn't be feasible
In these cases, any moving platform can be substituted for a dolly - a good idea is to stick to things with rubber wheels or tires, as rubber can absorb shock and the whole premise behind a dolly is stable footage.
A rig is a tool often used in automotive photography that attaches to the car or vehicle, enabling a photographic motion shot to be taken by the camera on the end of the rig. The results of using a rig are fantastic, allowing the camera to move at the exact same pace as the car gives a high speed motion blurring to the background and wheels whilst keeping the bodywork in crisp focus.
Rigs are available in a variety of shapes and sizes, from professionally built units that bolt directly to the chassis to DIY constructions using large vacuum cups, aluminium poles and specialist camera mounts. The shots taken on rigs are usually at slow driving pace with a long shutter speed, allowing for the blurring action of the background and moving parts.
Creative Dutch angle shots that are either static or fluid with crane movement are made simple with this optional upgrade. A solid and state of the art slip ring device enables the Dutch head to roll your camera 360 degrees and still achieve 360 degree pan moves at the same time. No other system will give you this range of motions with the same smooth results.Features:
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Shop No 48, New Shopping Centre, Bandra East, Government Colony, New Shopping Centre, Bandra East,
Mumbai-400051, Maharashtra, India